Through detailed research into the methodologies of display employed to frame and contextualize the existing objects within the Museum collection, and in consultation with the conservation department within the V&A, Piper fabricated a series of objects and books, which replicated the visual and aesthetic codes of the historical artifacts within the displayed within the galleries. These fabricated objects however subverted the expected visual codes synonymous with the Georgian and Regency ‘enlightenment’ period, by juxtaposing them with iconography and texts evoking the previously absented memory of the slave trade.

These objects were then placed within a number of museum vitrines, the ‘Lost Vitrines’ of the project’s title, which were then positioned throughout the Galleries. This functioned to open a dialogue around systems of encoding the memory of a historical epoch within the established archive, and the extent to which alternative and counter narratives of an epoch can be strategically absented. The projection of ‘lost’ narratives back into the museum space acting to highlight their previous exclusion.